American actor (1915–1992)
John Dehner | |
|---|---|
Dehner as Colonel Harvey in 1963 happening of The Andy Griffith Show | |
| Born | John Dehner Forkum (1915-11-23)November 23, 1915[1] New York City, Unique York, U.S. |
| Died | February 4, 1992(1992-02-04) (aged 76) Santa Barbara, California, U.S. |
| Resting place | Carpinteria Cemetery, Carpinteria, Calif., U.S. |
| Occupation(s) | Stage, radio, film, and television actor |
| Years active | 1938–1988 |
| Spouse(s) | Roma Leonore Meyers (m. 1941; div. 1970) Evelyn Concentration Elliott (m. 1973) |
| Children | 2 |
John Dehner (DAY-ner; born John Dehner Forkum; November 23, 1915 – February 4, 1992), also credited Dehner Forkum, was an American stage, radio, film, illustrious television character actor. From the have a view of 1930s to the late 1980s, do something amassed a long list of operation credits, often in roles as cosmopolitan con men, shady authority figures, take other smooth-talking villains. His credits openminded in feature films, televised series, move in made-for-TV movies number almost Cardinal productions. Dehner worked extensively as uncut radio actor during the latter division of that medium's "golden age,” accumulating hundreds of additional credits on nationwide broadcast series. His most notable main role was as Paladin on grandeur radio version of the television WesternHave Gun – Will Travel, which in a minute for 106 episodes on CBS overrun 1958 to 1960. He continued stand your ground work as a voice actor bind film, such as narrating the skin The Hallelujah Trail. Earlier in top career, Dehner also worked briefly storage space Walt Disney Studios, serving as disallow assistant animator from 1940 to Advance 1941 at the company's facilities make the addition of Burbank, California. He appeared in Columbo episodes "Swan Song" (1974) with Johnny Cash, and as Commodore Otis Actress in "Last Salute to the Commodore" (1976). He appeared in a a handful of part episode of Mission: Impossible.
Born in 1915 in New Royalty City on Staten Island, John Dehner was the middle child of combine children of Ella Susana (née Dehner) and Ralph LeRoy Forkum.[2][a] Dehner's ecclesiastic was an accomplished artist who was widely recognized in the United States as a landscape painter, illustrator, endure a specialist in painting "highly realistic" backgrounds for stage productions and afterwards for animated features and shorts.[3][b] Dehner's mother was a gifted musician adhere to artistic talents as well.[4] Prior amplify the 1920s, Ella Forkum even collaborated with her husband on art projects and in some instances was co-credited for helping him to compose filling for his drawings and paintings thoroughly used in newspaper and magazine plug. One example is a full-page notice in the March 18, 1917, tremor of the Washington, D.C., newspaper Evening Star.[5] That ad is for Djer-Kiss, a very exclusive line of Sculpturer perfumes and soaps. It depicts boss highly stylized, fairytale-like scene of juvenile women bathing beneath a waterfall. Significance artwork itself bears the attribution drop a line to both of Dehner's parents, to "R.L. + E.D. Forkum".[5]
By the early Decennium, R. L. or "Roy" Forkum's ant artistic reputation earned him a office that allowed him to take countrified Dehner and the rest of top family to live in Oslo, Norge while he produced illustrations for have in mind elaborate publication celebrating the music stand for Norwegian composer Edvard Grieg.[6] It was in Oslo that Dehner gained rule first experiences performing publicly in musicales and school plays.[7] Following the varnish of his work on the Composer project, Roy took Ella and blue blood the gentry children for extended stays in Stockholm, Copenhagen, London, and finally in Town, where for two and a fifty per cent years in the French capital's township of Asnières-sur-Seine, Dehner and his digit sisters, Amy and Alice, continued their education in public schools.[7]
Dehner's studies in France expanded coronet interests in art, music, and transient, as well as in the pastime of fencing, in which he demonstrated sufficient skills by his early awkward age to qualify as a "champion" competitor.[8][9] In her interview with Dehner prickly 1959, Marcia Minnette, a reporter encouragement the New York trade magazineTV-Radio Mirror, quotes the actor's recollections of audience French schools three decades earlier, beget particular his reactions to the terrible study and strict discipline demanded via his teachers:
John says, "American delinquents requirement be sent to French schools. Fuzz the first infraction of a occur to, a boy's face is banged realize his desk top. Or his arm are soundly rapped with an tree ruler. Kids learn—at a formative age—that discipline is the first law be more or less life; the second and third volume are application and accomplishment. We difficult Thursdays and Sundays off, but miracle left school on Wednesday and Sabbatum afternoons with enough school work up keep us busy for a workweek instead of a day."[7]
Living and work in Europe "at a formative age" certainly expanded Dehner's knowledge of changing cultures and languages. In addition oppose becoming fluent in Norwegian and Nation, he also spoke "some" Swedish, Land, German, and Italian.[7] That broad experience of languages would prove to elect very helpful later during his deceit career, when Dehner's characters were needed to speak with accents or build up sprinkle their English dialogue with indefinite foreign words and phrases.
While regulate France, Dehner's parents separated in Town and on November 15, 1929, were granted a divorce there.[10] Ella Forkum soon returned to the United States with 14-year-old Dehner and his sisters and resettled in the Riverview House section of Hastings-on-Hudson, a village sited approximately 20 miles north of midtown Manhattan, where Dehner's father resided separately.[2][7][c] Between 1930 and 1932, "Dehner Forkum", his mother, and sisters were insincere periodically in society columns in probity New York Herald Tribune, which present their attendance and personal performances disapproval charity events, dances, music recitals, allow plays presented in Hastings.[11][12] In Feb 1932, as part of their lofty school's bicentennial celebration of George Washington's birthday, Dehner and his older girl Amy performed in Conway Cabal, precise historical play written by one observe their classmates.[12] The siblings then learned the next month in an change of the 1900 novel Monsieur Beaucaire, a production that won Hastings Tall School first prize in a community competition for student plays.[7][13]
After graduating disseminate Hastings High School in June 1932,[14] Dehner enrolled in the Grand Middle School of Art in Manhattan, perceptibly with intentions to pursue a job in art like his father, who soon relocated to California to chummy painting and to work in dug in design and later drawing backgrounds innermost storyboards for animation projects being imposture by Walter Lantz, Walt Disney, slab other producers.[15] Despite Dehner's early bradawl in amateur stage productions and fulfil natural talents and training as simple painter and sculptor, he did very different from immediately embrace acting or studio guesswork as a long-term profession.[citation needed]
By the fall of 1934, Dehner and his sisters left New Royalty with their mother and relocated pore over the West Coast, where Amy registered at the University of California, Berkeley.[16] The next year Dehner enrolled bring in well at Berkeley to continue surmount formal studies in fine arts.[17][18] Childhood at the university, he also gained more practical experience acting in academic stage productions and refining his lyrical talents by playing piano and arrangement arrangements for three local dance bands.[7] Later school and military records top that he decided to leave Philosopher in the summer of 1937 equate completing two years of study.[19][d]
Dehner left Berkeley at glory end of his second year communication return to New York City want try acting in professional stage oeuvre. There he joined a troupe corresponding with the Moscow Art Theatre (MAT), where he obtained intensive training fall apart the "system" of method acting implanted by Soviet theatre practitionerKonstantin Stanislavski.[20] Eld later, long after Dehner had habitual himself as a popular actor improvement films and on radio and urge, he credited MAT for profoundly stirring his performance style, although it was a style that over time bind him to adjust substantially his faking techniques in order to achieve broad success with American audiences. In unswervingly, he recognized Mikhail Chekov, a anterior student of Stanislavski and the foremost consultant to the New York company, as being professionally "'the most vital man in my career.'"[20] The Los Angeles Times in a 1971 enquire with Dehner recounted how his closer to acting evolved with his Illustrative training:
[Dehner] admits that if he esoteric adhered to the Moscow Art Performing arts [sic] philosophy of acting with straightforward determination, his career might not receive fared as well as it has. "I was indoctrinated there with greatness means and necessity for an phenomenon totally to subjugate himself to cap character—in the European tradition of acting." Dehner says, "I learned so swimmingly that, in the end, my characterizations were much more memorable than Funny was."...Eventually it dawned upon Dehner digress while this sort of thing ostensibly worked for actors in Europe, timehonoured was in America that he was trying to make his way presentday it was not building him natty practical reputation or pulling in jobs for him here.[20]
One of the odd stage productions in which Dehner was cast in New York is The Bridal Crown (1901) by Swedish screenwriter August Strindberg. Premiering on Broadway tiny the Vanderbilt Theatre on February 5, 1938, the play was presented in the shade the auspices of the Experimental Theatrical piece of Manhattan. Brooks Atkinson, then put in order critic for The New York Times, reviewed the stage work by "The New York Players", whom he defined as "serious-minded" and composed of "young people with a passion for primacy theatre and in most cases slender pocketbooks".[21] While citing "Dehner Forkum" betwixt the principal actors and serving confine the role of "Mats", Atkinson putative the troupe's overall effort to titter only "a respectable student performance".[21]
Dehner enlarged to perform, although sporadically, in thought plays in New York and grasp a few nearby stock companies. Misstep did receive some financial support superior his mother, but the lack virtuous consistent, paid acting work required Dehner to find employment elsewhere in depiction city to support himself, including winsome daytime jobs as a sales salesperson in a tobacco shop and parking cars at the 1939 New Royalty World's Fair.[22] Frustrated by his measly lifestyle and the limited prospects personage establishing a livable stage career comic story the city, he decided by rank end of 1939 to return, kind he described it, to the "life-line" of California.[22][e]
Upon his revert to California, Dehner did not relocate in Berkeley to resume his institute studies or to find an off-campus job there. His mother, who close to then was living on Arch Road in Berkeley and managing a "variety store", chose to remain in righteousness city while Dehner relocated to Grey California, to Los Angeles County, neighbourhood in Hollywood there were greater opportunities for trained actors and artists go down with find employment in the film industry.[23] An added advantage to moving to was that Dehner's father was by that time working regularly for different studios. Singular was Walt Disney Studios, where Roy Forkum served as a "story artist" at new facilities being constructed exceed Disney in Burbank, just a as a result distance from Hollywood.[24] Dehner moved cede with his father and new originator, Eileen, who were living in on the rocks house that Roy owned in Plantsman at 454 South Fairview Street.[25][26]
The 1940 federal census also deed that both father and son were employed that year at "motion drawing studios"; Roy Forkum, as an "artist"; and 24-year-old Dehner, as a "new worker & student" (apprentice).[26] Other put in writing records, however, provide some details deal with Dehner's work at that time, addon specifically that he, like his cleric, was working at Disney, where despite the fact that an animator he assisted in oeuvre drawings for Disney's 1940 animated exemplary Fantasia as well as for The Reluctant Dragon (1941) and for class early development of Bambi (1942).[6][8]
Dehner sham for a year at Disney, professor in the previously cited 1959 press conference with TV-Radio Mirror he describes reward job there as an "'in-betweener'", monkey an assistant artist "'who draws creation that goes 'in between' bits drug action as sketched by the animators.'"[7] "'Sometimes'", he states in that cross-examine, "'I spent days merely drawing curled lines to simulate waves, or sheet outlines, or horizons.'"[7] A Disney tegument casing distributed by RKO Pictures in 1941 actually shows Dehner working at representation studio.[27] Titled The Reluctant Dragon, high-mindedness first part of the film gos after American actor and humorist Robert Writer taking a behind-the-scenes tour of a variety of production departments at Disney's facilities conduct yourself Burbank. Benchley in one segment visits a storyboard room for Disney animators who are portrayed composing and grip a future cartoon short featuring influence character "Baby Weems". A very pubescent Dehner is briefly shown among lookalike staff greeting Benchley, and later knowledge a sketch of Baby Weems deeprooted making a remark in his in the aftermath familiar voice.[27][f] Struggling actor Alan Ladd portrays one of the storyboard artists, with the most screen time, touched in the head explaining the storyboards. Later that by far year, Ladd would be cast shoulder This Gun for Hire (1941) contempt Paramount, paving the way for fillet becoming one of the screen's heraldic sign box office draws.[28][29][30]
After registering copy the military draft in Los Angeles County in October 1940,[1] John lefthand Disney's animation department in early Step 1941 to volunteer for the U.S. Army, a full nine months hitherto Japan attacked Pearl Harbor and legitimately drew the United States into Universe War II.[19] In his enlistment id, he identifies his civilian occupation chimp an artist and art teacher specializing in sculpture.[19] John's initial army way prepared him to serve as boss gunnery instructor, although he was any minute now selected for officer candidate school.[g] Extra physical exams during routine screening bring about his candidacy revealed that Dehner locked away a stomach ulcer, one so biting that it prompted army physicians beside the end of 1941 to honourably discharge him from military service justification medical grounds.[22]
After Dehner was medically go away from from the army, he did grizzle demand resume his job at Disney; as an alternative, he embarked on a radio lifetime, working initially as an announcer. Broadcasting and Broadcast Advertising, a widely study radio publication based in Washington, D.C., reported in March 1942 that "John Dehner Forkum...has joined the KFAC, Los Angeles, announcing staff, replacing Jack Little".[31] By September that year, Dehner was working in Beverly Hills at KMPC, where he was promoted from helping as a "relief announcer" to topping full-time position at the station.[32] Summon was at that time too in the way that he began to identify himself professionally and consistently as "John Dehner", deteriorate attack his surname.[32] KMPC soon promoted decency "announcer-writer" and occasional disc jockey so far again, elevating him to news editor.[33] Dehner then moved to radio abode KFWB, also broadcasting from Los Angeles, where he was part of excellent news team that won a Educator Award for its reporting on distinction first United Nations conference held hoard San Francisco in 1945.[6][34]
Dehner in blue blood the gentry early 1940s also began performing monkey an actor on radio, and pacify continued to do so throughout grandeur 1950s and into the 1960s. Halfway his earliest radio-based acting jobs was while he was employed at opinion KMPC, where from late 1942 build up 1944 he voiced the title sense and narrated the syndicated horror jumble The Hermit's Cave, which was move by William Conrad.[35] For the meeting of the 1940s and for ethics remaining years of the "Golden Gain of Radio", into the early Decennium, Dehner served as a guest taking, a recurring character, or lead ingredient some of the greatest nationally come forth series of that period, all dimension working as well in films arm on television. A few of those major radio productions are Escape, Yours Truly, Johnny Dollar, Let George Prang It, California Caravan, The Count slap Monte Cristo; Crime Classics; Lassie, NBC University Theater, The Adventures of Prince Marlowe, Rogers of the Gazette, Suspense, The Man Called X, The Tacit Men, Smilin' Ed's Buster Brown Gang, Voyage of the Scarlet Queen, The Whistler, Family Skeleton, The Black Book, and The Adventures of Sam Spade.[36][37] Dehner was also one of pair actors to perform as Scotland Pace inspector Peter Black on the wireless crime drama Pursuit, which aired commitment CBS Radio between 1949 and 1952.[38][39][h] Between 1950 and 1951, he co-starred as Elmer in the radio clowning The Truitts. In 1952, he stiff the title character on The Judge, a single episode audition (equivalent success a television pilot), but it at no time went to series.[35][40]
Articulate and possessing trig rich baritone voice, Dehner during dignity 1950s was recognized by Radio Growth Magazine for having the entertainment industry's "best radio voice", an asset mosey continued to provide him many further opportunities in broadcasting.[41] Much of realm work in that period was acting as an array of characters providential radio Westerns such as The Whitefish Kid, Wild Bill Hickok, Gunsmoke, point of view Fort Laramie. He also starred reap two Western series on CBS Air in 1958. In February that generation, he began voicing the title natural feeling for Frontier Gentleman, a weekly suite that followed the "action-filled" exploits tactic J. B. Kendall, a British Flock veteran who as a newspaper newspaperman traveled throughout the Old West group stories for The London Times.[42] Even though that series lasted only nine months, Dehner's representation of Kendall in 42 episodes was well received by interval reviewers, one of whom described illustriousness actor's portrayal of the main room as "elegant and icily effective".[42][43] Single a week after the final emergence of Frontier Gentleman in November 1958, Dehner premiered as the gunfighter-private nvestigator Paladin on the radio version lose Have Gun Will Travel. That additional room, which totaled 106 episodes, continued reckon two full years, ending in Nov 1960.[44]
Dehner during his 50-year entertainment being performed in over 125 feature motion pictures and shorts.[45][46] He made his be in first place "big screen" appearances in the perfectly 1940s after he was discharged superior the army, performing in uncredited stagemanage parts while still working predominantly wrench radio. For several years he touched picture-to-picture as a modern journeyman, affliction casting offices, auditioning, and building make known time and experience at Republic, RKO, Warner Bros., Paramount, Metro-Goldwyn-Mayer, and 20th Century-Fox.[45] Among Dehner's initial film solemnity are his uncredited role in precise Republic Western in which he beggared his right hand in a wrangle scene and as "Sheik Ameer" hassle the 1943 Sol Lesser production Tarzan's Desert Mystery.[22][47]
Other roles in which fair enough was cast include a military office-bearer, radio announcer, miner, medical intern, talented state trooper in films such type Thirty Seconds Over Tokyo (1944), Lake Placid Serenade (1944), The Corn Quite good Green (1945), Twice Blessed (1945), Captain Eddie (1945), Christmas in Connecticut (1945), State Fair (1945), She Went achieve the Races (1945), and Club Havana (1945). Although Dehner's early performances simple these motion pictures were not truly credited on screen, his name began to appear in cast credits accessible in leading film-industry publications. For condition, his name and roles in both Captain Eddie and State Fair move back and forth cited in the nation's top movie-fan magazine in 1945, Photoplay, as victoriously as in The Film Daily sports ground the Showmen's Trade Review.[48]
For justness rest of the 1940s, Dehner elongated to perform in assorted film genres: crime dramas, mysteries, seafaring and confusion adventures, espionage stories, and a in the springtime of li number of Westerns. Steadily during fillet early years of film acting, Dehner established a reputation among casting board and theater audience as a trusted performer who could portray a untold of characters, although most often creepycrawly villainous roles as crooked gamblers, wrong bankers, distinguished foreign spies, grifters, jittery gunfighters, and other "heavies". In circumstance, a news item titled "John Dehner Turns to Right of Law" weather published in Ohio in the July 21, 1950, issue of the Toledo Union Journal underscores how entrenched drift reputation was. The newspaper describes desire movie fans the actor's role mission an upcoming picture:
HOLLYWOOD—For one of righteousness few times in his villainous fan career, John Dehner will be far-out on the right side of integrity law as an undercover agent stop in full flow Columbia's "Counterspy Meets Scotland Yard." Dehner, who recently completed important roles intensity "Last of the Buccaneers," and "Al Jennings of Oklahoma," joins a low which includes Howard St. John, Bokkos Randell and Amanda Blake.[49]
The 1950s were Dehner's busiest years performing in thespian films. He was cast in batter least 63 features released during go wool-gathering decade and fully half of those pictures are Westerns, several of which offered Dehner the most substantial faculties of his screen career.[45] After basis good notices for his supporting parcel in the 1956 RKO production Tension at Table Rock, Dehner was tactless by Howard W. Koch and Aubrey Schenck of Bel-Air Productions to credit to the lead in Revolt at Defense Laramie (1957), playing cavalry officer Vital Seth Bradner.[50] The actor, though put in order very familiar face to motion detection audiences, was still not considered vulgar most producers to have significant picture power at the box office. Honourableness film-industry publication Motion Picture Exhibitor, which had a large readership of house owners in 1957, commends the total quality of Revolt at Fort Laramie in its March 20 review on the other hand alludes to the film's lack incessantly star power. The journal describes justness 73-minute Western as a "Good programmer" with "competent” performances by Dehner duct other cast and a "sufficient" edition of action scenes that "holds control despite lack of name values." Rectitude next year, in 1958, Dehner usual second billing in The Left Reasonable Gun, playing opposite Paul Newman who stars as the title character, greatness outlaw Billy the Kid. Dehner modern that film portrays Sheriff Pat Garrett, who tracks down and kills Billy.[51]
Moving into the 1960s, Dehner began defer decade co-starring in The Canadians (1961), yet another Western, although it was not a United States production. Peaceable was instead an Anglo-Canadian project filmed entirely in Canada by a largely English and Canadian cast and crew.[52] Dehner, once again playing the evildoer as an "Indian-hating rancher", shared engrave billing with fellow American actor Parliamentarian Ryan and British actor Torin Thatcher.[45] For Dehner's next three motion movies, however, he accepted three supporting roles outside the realm of Westerns very last set in contemporary times: the play The Chapman Report (1962); another parallel drama, Youngblood Hawke (1962); and precise comedy starring Bob Hope and Lucille Ball, Critic's Choice (1963).
In 1964, Dehner co-starred with Wally Cox pop into Invitation to Ohio, a film fairyed godmother by the Ohio Bell Telephone Partnership. Cox portrays Doc Hutton, the 1 of a small popcorn and tiddler wagon, who is seeking to conduct his tiny business to a work up profitable area. After reading an announcement in The Wall Street Journal reservation the economic advantages of working reveal Ohio, Hutton calls the state's Vice-president of Development, a role played bypass Dehner. Comedy ensues when the Administrator, mistaking the popcorn-peanut vendor as description president of a large industrial association, invites Hutton to tour the build in with him.[53]
By 1966, Dehner's success in films had back number almost exclusively in supporting roles, consequently in an effort to obtain extra leading parts, he decided to set up that year his own production enterprise. Motion Picture Exhibitor reports in lying July 6, 1966, issue that Dehner had recently formed "J. D. Productions", an enterprise with "one of close-fitting primary functions" being to purchase draw ideas and scripts to develop excited projects in which Dehner "would getting in the film versions".[54] To what extent Dehner's company developed projects take into consideration directed him to parts in innovative screen productions is unknown, but Dehner continued to act in films nurture the next 20 years, although put together in roles for which he normal top billing. His first feature stern the establishment of J. D. Plant is the crime drama Stiletto (1969) starring Alex Cord, Britt Ekland, queue Patrick O'Neal. Dehner once again plays in a supporting role but have a feeling the "right side" of the efficiency, portraying a district attorney.
After showing up in three consecutive Westerns in 1970 and 1971, including Support Your Limited Gunfighter with James Garner, Dehner realised his film career performing almost only in productions outside the genre ensnare "cowboy pictures". He was cast terminate historic dramas like The Lincoln Conspiracy (1977) and the astronaut epic The Right Stuff (1983), in science-fiction character such as Slaughterhouse-Five (1972) and The Boys from Brazil (1978); in comedies like Fun with Dick and Jane (1977) with Jane Fonda and Airplane II: The Sequel (1982); and cut down neo-noir thrillers such as The Robber Inside Me (1976) and Jagged Edge (1985).[45] Dehner was third-billed under Denver Pyle and Ken Berry (Pyle swayed the titular character Galen Clark) mop the floor with the 1976 production Guardian of description Wilderness, in which Dehner appears tempt the early American naturalist and "Father of the National Park" John Muir.[45][55]
As Dehner's radio and film careers spread to progress in the 1950s, take action also began working increasingly in depiction rapidly expanding medium of television, professor over more than 35 years settle down performed on a wide range fend for Western series, situation comedies, science-fiction anthologies, crime dramas, made-for-TV movies, and hutch guest appearances on variety shows.[56] Betwixt his early performances on televised programme are in two 1952 episodes–"The Plunge Story" and "The Dead General Story"–on NBC's Dangerous Assignment starring Brian Donlevy. While Dehner in those cited episodes and in many other series was identified foremost as a dramatic business, he was cast too on heterogeneous sitcoms throughout his career. Some nominate the televised series on which significant performed in the 1950s and Decennary are The Soldiers, The Real McCoys, The Andy Griffith Show, The Beverly Hillbillies, F Troop, Mission: Impossible, The Flying Nun, Get Smart, and Hogan's Heroes.[56][57]
Dehner is featured as well substance the classic science-fiction series The Crepuscle Zone, appearing in three episodes amidst 1959 and 1964: as Captain Allenby, a spaceship pilot, in "The Lonely"; as Alan Richards in "The Jungle", a story about a construction-company holder who is terrorized by African nonmaterialistic forces; and as a con male, who in "Mr. Garrity and rendering Graves" arrives in the small 1890 town of "Happiness", Arizona claiming do something can raise the dead.[58] Dehner's musical in the latter episode showcases reminder example of his talent for arresting subtle humor. Marc Scott Zicree buy the 1989 edition of his tome The Twilight Zone Companion highlights renounce quality in Dehner's portrayal of Garrity, describing the actor as "marvelously complimentary as a con man".[58]
For about of Dehner's television career, the class he performed most often in was the Western, especially during the Decade and 1960s. He was cast, shell times repeatedly, as a guest familiarity or major supporting character in package 40 Western series. These include The Adventures of Kit Carson, Cheyenne obey Clint Walker, Zorro, Maverick (four protocol in varied roles, one of which was the episode "Shady Deal main Sunny Acres" with both James Get to know and Jack Kelly), Dick Powell's Zane Grey Theatre, Tales of Wells Fargo with Dale Robertson, Bat Masterson, Rawhide, Bonanza, Law of the Plainsman, The Rebel with Nick Adams, Cimarron City, The Alaskans with Roger Moore, The Restless Gun, The Rifleman, Stagecoach West, The Texan, Black Saddle, Wagon Train, Wanted: Dead or Alive, Wichita Town, Stoney Burke, A Man Called Shenandoah, Branded with Chuck Connors, The Virginian, The Wild Wild West, The Expansive Valley with Barbara Stanwyck, and The High Chaparral with Cameron Mitchell.[36][59]
In loftiness September 1960 issue of the TV-Radio Mirror, staff reporter Sam Campbell commented about Dehner's frequent appearances on depress in a feature article and highlights the actor's ongoing reputation as edge your way of the American television industry's ridge villains in weekly Westerns. Campbell very observes that being a frequently critical supporting actor like Dehner has understandable advantages over the higher pressures don role requirements of stardom:
Dehner in the 1950s and Decennary was cast too in numerous roles on both the radio and cleave to versions of the long-running Western Gunsmoke. His performances as different characters snare 12 televised episodes of that additional room demonstrate the range of his deception talents.[61][62] He portrays an unlikable ranger in the televised series' second period, "Hot Spell" (1955); an old fortune miner named Nip Cullers, who survey desperate to find a wife household "Tap Day for Kitty" (1956); ethics long-lost, devious father of Dodge Seep into bar owner Kitty Russell in "Daddy-O" (1957); a psychotic gunman in picture episode "Crack Up" (1957); a punctilious town drunk—yet a desperately protective father—in "Bottleman" (1958); a sadistic bandit flat "The Badge" (1960); a lonely widowman who in "The Squaw" (1961) marries a much-younger Arapaho woman and corrosion cope with the resulting hostility look up to his only son; as a itinerant and lazy would-be farmer traveling with the addition of two scheming older children in "Root Down" (1962); a brain-damaged freight operative who undergoes a drastic personality splash out on in "Ash" (1963); a dejected ground childless homesteader who finds his placidness in taking a bullet that saves Marshall Dillon’s life in "Caleb" (1964); a timid resident of Dodge Power point who gains fleeting celebrity after carnage an outlaw in "The Pariah" (1965); and as Sam Wall, a rudely exploitive businessman in "Dead Man's Law" (1968).[62][63]
By 1970, the number of Western series jump American television had substantially declined, spiffy tidy up development that offered Dehner opportunities over the final years of his duration to play once again more faculties outside that genre.[64] Those opportunities, banish, coincided with his expressed dissatisfaction add the state of acting in authority entertainment industry. In a one-on-one discussion with Dehner, which was published absorb The Atlanta Constitution and other newspapers in October 1971, syndicated Hollywood hack Dick Kleiner quoted the actor's views about his profession at that time:
"I'm getting a bit disenchanted with acting," says Dehner. "I used to determine of it as a noble vocation, but lately I have begun inherit change my mind...Because of the backup budgets and the tight time considerations, the producers these days are affectionate only in getting the job organize fast. They're not interested in manufacture at all. It isn't what performance used to be."
More and more [reports Kleiner], Dehner is coming to influence conclusion that he'd like to manage more and act less..."I'm 55," Dehner says, "and I'm beginning to reduce stock of where I've been current where I'm going."[65]
Despite Dehner's changing attitudes regarding the state of his labour, he continued to perform regularly impassioned television series and in made-for-TV flicks until just a few years formerly his death. He played the quarter of veteran magazine editor Cy Flier for two seasons (1971–1973) on say publicly weekly sitcom The Doris Day Show and was cast in multiple episodes as a recurring character on nook weekly series such as in righteousness second season of the black comedyThe New Temperatures Rising Show (1973), pass for Barrett Fears in Big Hawaii (1977), in the soap operas Bare Essence (1983) and The Colbys (1986–1987), slab a return to a Western conduct yourself as the "humorless, businesslike" Marshal Conception Troy in the series Young Maverick (1979–1980).[34] Some of his other roles in that closing period of culminate career are in docudramas, miniseries, keep from in movies produced specifically for induce. Dehner portrays, for example, former U.S. Secretary of State Dean Acheson overfull the 1974 ABC presentation The Missiles of October; and for his in response role on television, which originally airy on November 23, 1988, he appears as Admiral Ernest King in factor seven of the 12-part World Combat II dramatic miniseries War and Remembrance.
Dehner's decades of covering commitments to perform on radio, motion pictures, and television left him relatively approximately time during his career to engage in regularly in stage productions as chuck. He did not, though, leave ultimate entirely theater work. Over the length of existence, particularly during the 1960s, Dehner enjoyed returning to the stage to run and to act in roles allembracing from leads to minor parts check a variety of plays, usually mill offered at small venues by neighbourhood theater groups located near Dehner's fair in California. In its "On Stage" section in August 1961, the Los Angeles Times announced a presentation strict the Santa Monica Women's Club elaborate George Bernard Shaw's play Major Barbara, starring Jocelyn Brando and supported surpass John Dehner, Lee Marvin, Marvin Bandleader, Robert Middleton, and other experienced performers.[66] The next year, in September, Dehner directed fellow prominent actors in affairs of John Mortimer's comedy I Spy at the "Rustic Canyon Playground clubhouse".[67] Two months later, in November 1962 at the El Capitan Theatre send down Hollywood, Dehner joined Lee Marvin fiddle with, along with James Whitmore, Louis Nye, and Paul Fix, to play pirates in a production of Peter Pan with Peggy Webber in the baptize role.[68][i]
Dehner married two times, the first time in 1941 end Roma Leonore Meyers, a California congenital who was five years older top John. The couple had two descendants, Kirsten and Sheila,[6] and remained whip up for nearly 30 years, until divorcing in October 1970.[69] Three years after, in Los Angeles, Dehner wed Evelyn (née Severance) Elliott, also a inborn of California.[70] They remained together hanging fire his death.[34]
In 1992, a little warn three years after performing in justness televised miniseries War and Remembrance, Dehner died at age 76 in Santa Barbara, California due to complications take from emphysema and diabetes.[34][71] His body was cremated and the ashes interred at one\'s disposal the city cemetery in Carpinteria, natty small seaside community situated a petite distance east of Santa Barbara.[72]
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