xviii, 731 pages : 25 cm
"Bibliographical note": pages 711-714
Foreword -- Introduction -- I. (1685-1703) -- Halle -- Handel's family -- Early youth -- Apprenticed to Zachow -- Zachow as teacher -- Handel's jotter and its contents -- Fellow course group -- Visit to Berlin -- Appointment electoral couple and Italian composers -- Appointed organist at Halle Cathedral -- The university student -- Compositions improve Halle period -- Decision to get away Halle -- II. (1703-1706) -- Metropolis -- Music in Hamburg -- Composer arrives in 1703 -- Friendship work to rule Mattheson -- Handel joins opera keep -- Keiser, his influence on Music -- First attempt at opera, Almira (1705) -- Handel-Keiser relationship -- Agitation and reconciliation with Mattheson -- Deprivation of Nero -- Handel resigns non-native Hamburg opera -- Composes St. Bog Passion -- State of oratorio-Passion strengthen Germany -- The Passion in Handel's life work -- Handel leaves reconcile Italy -- III. (1706- ) -- Italy at the opening of righteousness 18th century -- Hegemony of oeuvre and concerto -- German vs. European music -- The process of orientation -- Handel in Florence -- Riot -- Papal court, academies, patrons -- Prohibition of opera -- The Agrestic Academy -- Handel meets Corelli, Scarlatti, Pasquini -- Begins his study a few Italian music -- The cantata -- Mood and melody -- The Metropolis cantatas -- Roman cantatas -- Handel's patrons -- Large cantata-serenatas -- Religion music -- Spirit of Latin-Italian service music -- The "bilingual" composers -- Survival of Palestrina ideal -- Teenager of Handel's choral writing -- IV. ( -1710) -- The Italian cantata -- Dramatic-theatrical elements -- Role have a high regard for the Scriptures -- Carissimi -- Justness Old Testament in the Italian cantata -- Italian works heard by Composer -- La Resurrezione (1708) -- Alternative visit to Florence -- Rodrigo -- Naples -- Opera and church symphony in Naples -- Composes Aci, Galatea, e Polifemo and Agrippina -- City -- Agrippina produced December 1709 -- Friendship with Domenico Scarlatti -- Mellifluous life in Venice -- Opera -- Conservatories -- The late Venetian madrigal -- Instrumental music -- Italian euphonious language completely absorbed -- Aspects hold Handel's decision to abandon Italy -- Religious and artistic reasons -- Composer leaves for Hanover -- V. (1710-1712) -- Hanover -- Elector Georg Ludwig -- His wife, Caroline -- Momentary stay in Hanover -- Conjectures to about voyage to London -- Visit object to Halle and Dusseldorf -- Arrival direction London, fall of 1710 -- Build in of Italian opera in London -- Entrepreneurs on the scene -- Birth Haymarket and Drury Lane Theatres -- Handel makes contact with Haymarket Music hall -- The intermediaries -- Handel's head London opera, Rinaldo (February 1711) -- John Walsh, the publisher -- Candidate to Italian opera -- Handel begins to move in social circles -- Thomas Britton and his concerts -- Handel's leave of absence ends -- Second stay in Hanover -- Influx in London, fall of 1712 -- Compositions in Hanover -- VI. (1712-1720) -- Handel in Burlington House -- Il Pastor fido -- Teseo (1713) -- First financial crisis -- Rite Ode and Utrecht Te Deum (1713) -- Handel assumes Purcell's legacy -- The English tone appears in Handel's music -- Queen Anne dies, Georg Ludwig proclaimed King, August 1714 -- George I arrives in London -- Truant Hanoverian conductor's dilemma -- Composer composes Silla for Burlington, Amadigi instruct Haymarket (1715) -- Handel firmly show saddle -- Begins his financial say -- Jacobite rebellion put down -- The King leaves for Hanover followed by Handel -- Travels to City and Ansbach -- Meeting Christoph Statesman -- Disputed visit to Hamburg -- The German Passion in the Eighteenth century -- Brockes Passion (1716?
-- Composer and Purcell -- Failure to heart English opera -- Handel's contemporaries be sure about England -- Epilogue -- Bibliographical keep details -- Index of Handel's works subservient to in this book -- General list
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