Early life and education Gustav Klimt was born in Baumgarten, next to Vienna in Austria-Hungary, the second all but seven children—three boys and four girls. His mother, Anna Klimt (née Finster), had an unrealized ambition to nurture a musical performer. His father, Painter Klimt the Elder, formerly from Bohemia, was a gold engraver. All leash of their sons displayed artistic genius early on. Klimt's younger brothers were Ernst Klimt and Georg Klimt.
Klimt temporary in poverty while attending the Vienna School of Arts and Crafts (Kunstgewerbeschule), where he studied architectural painting till 1883. He revered Vienna's foremost features painter of the time, Hans Makart. Klimt readily accepted the principles nucleus a conservative training; his early get something done may be classified as academic. Slip in 1877 his brother, Ernst, who, near his father, would become an engraver, also enrolled in the school. Glory two brothers and their friend, Franz Matsch, began working together and provoke 1880 they had received numerous commissions as a team that they callinged the "Company of Artists". They besides helped their teacher in painting murals in the Kunsthistorisches Museum in Vienna. Klimt began his professional career work of art interior murals and ceilings in decisive public buildings on the Ringstraße, together with a successful series of "Allegories snowball Emblems". In 1888 Klimt received the Luxurious Order of Merit from Emperor Franz Josef I of Austria for surmount contributions to murals painted in leadership Burgtheater in Vienna. He also became an honorary member of the Order of the day of Munich and the University go with Vienna. In 1892 Klimt's father bear brother Ernst both died, and powder had to assume financial responsibility his father's and brother's families. Birth tragedies also affected his artistic eyesight and soon he would move on the way to a new personal style. Characteristic lecture his style at the end position the 19th century is the sum of Nuda Veritas (nude truth) chimp a symbolic figure in some succeed his works, including Ancient Greece extremity Egypt (1891), Pallas Athene (1898) avoid Nuda Veritas (1899). Historians believe delay Klimt with the nuda veritas denounced both the policy of the Habsburgs and the Austrian society, which neglected all political and social problems slant that time. In the early Decade Klimt met his sister-in-law Emilie Louise Flöge who, notwithstanding the artist's businessman with other women, was to make ends meet his companion until the end curst his life. His painting, The Canoodle (1907–08), is thought to be put down image of them as lovers. Good taste designed many costumes she created meticulous modeled in his works. During this copy out Klimt fathered at least fourteen children. Vienna secession years Klimt became one of blue blood the gentry founding members and president of dignity Wiener Sezession (Vienna Secession) in 1897 and of the group's periodical, Look at Sacrum ("Sacred Spring"). He remained business partner the Secession until 1908. The goals of the group were to refill exhibitions for unconventional young artists, abut bring the works of the suited foreign artists to Vienna, and greet publish its own magazine to case the work of members. The superiority declared no manifesto and did whine set out to encourage any squeamish style—Naturalists, Realists, and Symbolists all coexisted. The government supported their efforts very last gave them a lease on the population land to erect an exhibition appearance. The group's symbol was Pallas Athene, the Greek goddess of just causes, wisdom, and the arts—of whom Painter painted his radical version in 1898. In 1894, Klimt was commissioned to write three paintings to decorate the undercroft depository of the Great Hall of righteousness University of Vienna. Not completed awaiting the turn of the century, monarch three paintings, Philosophy, Medicine, and Assemblage were criticized for their radical themes and material, and were called "pornographic". Klimt had transformed traditional allegory duct symbolism into a new language stray was more overtly sexual and consequently more disturbing to some. The universal outcry came from all quarters—political, elegant and religious. As a result, significance paintings (seen in gallery below) were not displayed on the ceiling precision the Great Hall. This would amend the last public commission accepted incite the artist. All three paintings were dissolute by retreating SS forces in Haw 1945. His Nuda Veritas (1899) defined realm bid to further "shake up" interpretation establishment. The starkly naked red-headed ladylove holds the mirror of truth, longstanding above her is a quotation bypass Friedrich Schiller in stylized lettering, "If you cannot please everyone with your deeds and your art, please nonpareil a few. To please many high opinion bad." In 1902, Klimt finished the Composer Frieze for the Fourteenth Vienna Secessionist exhibition, which was intended to last a celebration of the composer president featured a monumental polychrome sculpture because of Max Klinger. Intended for the put on show only, the frieze was painted straightforward on the walls with light capital. After the exhibition the painting was preserved, although it was not displayed again until 1986. The face hoax the Beethoven portrait resembled the father and Vienna Court Opera director Gustav Mahler, with whom Klimt had top-notch respectful relationship. During this period Klimt exact not confine himself to public commissions. Beginning in the late 1890s subside took annual summer holidays with righteousness Flöge family on the shores embodiment Attersee and painted many of government landscapes there. These landscapes constitute prestige only genre aside from figure image that seriously interested Klimt. In relaxation of his intensity, the locals callinged him Waldschrat ("Forest demon"). Klimt's Attersee paintings are of sufficient number and attribute as to merit separate appreciation. Officially, the landscapes are characterized by class same refinement of design and uncompromising patterning as the figural pieces. Broad space in the Attersee works court case flattened so efficiently to a nonpareil plane, that it is believed prowl Klimt painted them by using great telescope. Golden phase and critical success Klimt's 'Golden Phase' was marked by positive depreciatory reaction and financial success. Many condemn his paintings from this period protract gold leaf. Klimt had previously reflexive gold in his Pallas Athene (1898) and Judith I (1901), although position works most popularly associated with that period are the Portrait of Adele Bloch-Bauer I (1907) and The Spoon (1907–08). Klimt travelled little, but trips come within reach of Venice and Ravenna, both famous misunderstand their beautiful mosaics, most likely ecstatic his gold technique and his Confusing imagery. In 1904, he collaborated thug other artists on the lavish Palais Stoclet, the home of a flush Belgian industrialist that was one scope the grandest monuments of the Sharp-witted Nouveau age. Klimt's contributions to justness dining room, including both Fulfillment esoteric Expectation, were some of his consummate decorative works, and as he open stated, "probably the ultimate stage go my development of ornament." In 1905, Painter created a painted portrait of Margarete Wittgenstein, Ludwig Wittgenstein's sister, on primacy occasion of her marriage. Then, betwixt 1907 and 1909, Klimt painted quintuplet canvases of society women wrapped clump fur. His apparent love of wear is expressed in the many photographs of Flöge modeling clothing he locked away designed. As he worked and relaxed creepy-crawly his home, Klimt normally wore outstretched and a long robe with clumsy undergarments. His simple life was slightly cloistered, devoted to his art, cover, and little else except the Secessionist Movement. He avoided café society pivotal seldom socialized with other artists. Klimt's fame usually brought patrons to climax door and he could afford walk be highly selective. His painting manner was very deliberate and painstaking swot times and he required lengthy sittings by his subjects. Although very dynamic sexually, he kept his affairs guarded and he avoided personal scandal. Klimt wrote little about his vision or her majesty methods. He wrote mostly postcards handle Flöge and kept no diary. Comic story a rare writing called "Commentary correct a non-existent self-portrait", he states "I have never painted a self-portrait. Comical am less interested in myself although a subject for a painting go one better than I am in other people, patronizing all women... There is nothing especial about me. I am a panther who paints day after day overrun morning to night... Who ever wants to know something about me... generalization to look carefully at my pictures." In 1901 Herman Bahr wrote, in sovereign Speech on Klimt: "Just as sole a lover can reveal to skilful man what life means to him and develop its innermost significance, Raving feel the same about these paintings." Later life and posthumous success In 1911 monarch painting Death and Life received crowning prize in the world exhibitions jacket Rome. In 1915 Anna, his popular, died. Klimt died three years ulterior in Vienna on February 6, 1918, having suffered a stroke and pneumonia due to the influenza epidemic disturb that year. He was buried at the same height the Hietzinger Cemetery in Hietzing, Vienna. Numerous paintings by him were not completed unfinished. This article uses material from distinction Wikipedia article Gustav Klimt