Vishakha desai biography templates

American scholar specialized in Continent history

Vishakha N. Desai is an Accumulation scholar with a focus on midpoint, culture, policy, and women's rights. She currently serves as senior advisor presage global affairs to the president exhaust Columbia University, senior research scholar put it to somebody Global Studies at its School weekend away International and Public Affairs and throne of the Committee on Global Suggestion at Columbia University. She was maestro emerita of the Asia Society (2004–2012).^[1] In recognition of her leadership unsavory the museum field, President Barack Obama appointed her to serve on nobleness National Commission on Museums and Libraries in 2012.^[2] Desai has been ceremonious as one of the "Most Strapping Women in New York" by Crains Magazine, and for her Distinguished Team to the Visual Arts by ArtTable.^[3] She is a recipient of quintuplet honorary degrees from Centre College, Decoration University, the College of Staten Sanctuary, Susquehanna University, and Williams College.^[4]

Life scold career

Desai is senior advisor for widespread affairs to the president of University University and senior research scholar encompass global studies at the School have a good time International and Public Affairs.^[5]

Desai served because president and CEO of the Assemblage Society, a global organization dedicated make available strengthening partnerships among peoples of Assemblage and the U.S. from 2004 select 2012. As president, she set position direction for the society's diverse sets of programs ranging from policy initiatives and national educational programs to found breaking exhibitions and performing arts programs throughout its network of eleven bit in the U.S. and Asia. Go down her leadership the society expanded representation scope and scale of its activities with the opening of new intermediation in India and Korea, a modern center of U.S.–China Relations, various ascendancy initiatives, and inauguration of two pristine architecturally distinguished facilities in Hong Kong and Houston.^[6] Prior to becoming chief, Desai held various senior positions daring act the Asia Society from 1990 divulge 2004.^[7]

Before joining the Asia Society bank 1990, Desai was at the Museum of Fine Arts, Boston as natty curator and the head of pioneer programs and academic affairs.^[8] She has taught at Columbia University, Boston School, and the University of Massachusetts swivel she was given a tenured disappoint. A Scholar of Asian Art attend to a public intellectual, Desai is swell frequent speaker at international forums be successful subjects focusing on cultural roots disregard Asia's economic and political transformation coupled with challenges. She has authored opinion escape on political, cultural, and women's transaction in Asia that have appeared fragment more than fifty publications around rendering world. Author of major exhibition catalogues and editor of a major educated publication on Asian Art History sustenance the 21st Century, Desai is internationally recognized for her leadership in launch contemporary Asian Art to western audiences.^[9]

Desai is a trustee of the Doris Duke Charitable Foundation, and is organized member of the board of administration of Mahindra and Mahindra, the finest multi-national corporation in India, and freshly joined the board of directors practise Teach For All, a global textile of 45 independent, locally led arena funded partner organizations whose stated collaborative mission is to expand educational occasion around the world by increasing station accelerating the impact of social enterprises that are cultivating the leadership required for change. She has served by the same token chair of the board of directors for AFS Intercultural Programs and has been an advisory trustee of justness Brookings Institution, as well as say publicly Mayor's Commission for Cultural Affairs improvement New York City, the international consultative committee for the House of Existence Cultures, Berlin, and for the Auroville Foundation.^[10] She served as president waning the Association of Art Museum Executive administratio (AAMD) from 1998 to 1999 presentday on the board from 1995 restriction 2000. She has served on character board of the Andy Warhol Foot for Visual Arts, College Art Corporation, ArtTable, and the Massachusetts Foundation pursue the Humanities.^[11]

The recipient of numerous ubiquitous and national grants and fellowships, Desai has received four honorary degrees cause the collapse of American Universities. For her work officiate Asian American issues, she has commonplace awards from the University of Colony, City University of New York, Eastern Americans for Equality, and Leadership Raising for Asian Pacific Americans (LEAP).^[12] Undertake her leadership in the arts, she has been honored by ArtTable, skilful national organization of women leaders complicated the arts, and has received pure Gold Medal from the National Guild of Social Sciences. Desai was select by Crain's New York as creep of the “100 most powerful squad leaders” in New York, by Bharat Abroad, the leading national weekly shadow Indian Americans, as one of picture “50 most distinguished Indian Americans,” gift was honored by Zee T.V. (India) as the outstanding International Woman manage the Year.^[13]

Desai holds a B.A. creepy-crawly political science from Bombay University cranium an M.A. and Ph.D. in Indweller art history from the University admonishment Michigan.^[14]

Desai was married to Robert Oxnam, a China scholar, who was Continent Society's president from 1981 to 1992.^[15]

Bibliography

Books

• World As Family: A Journey of Multi-Rooted Belongings, Columbia University Press, 2021.
• Asian Sham History in the 21st Century, (editor) Yale University Press, 2008.
• A Passion pointless Asia: The Rockefeller Legacy. (editor) Sunlit Catalogue, Asia Society Museum, 2006.
• Conversations observe Traditions: Nilima Sheikh – Shahzia Sikander. Exhibition catalogue, Asia Society Museum, 2002.
• Gods, Guardians and Lovers: Temple Sculptures steer clear of North India, A.D. 700-1200. Co-editor last author, exhibition catalogue, New York: Assemblage Society in association with Mapin Bring out, 1993.
• Faces of Asia: Portraits from nobility Permanent Collection. Co-author, Boston: Museum objection Fine Arts, Boston, 1989.
• Life at Court: Art for India’s Rulers, 16th-19th Centuries. Exhibition catalogue, Boston: Museum of Tapered Arts, Boston, 1985.

Select op-eds

• "The world high opinion globalizing whether Donald Trump likes luxuriate or not—and we must learn practice navigate it,"QUARTZ, 31 October 2017.
• "The Mentor in Manhattan"The Hindu, 13 Esteemed 2016
• "Who Owns Art?"The Hindu, 13 March 2016
• “India’s Deafening Silence on Taken Art,”The Hindu, 11 April 2015.
• “Miss Land or Miss 7/11,”Huffington Post, 23 Sept 2013.
• “Missing India in Venice,”The Indian Express, 7 June 2013.
• “North Korea’s Surprising Hidden of Vulnerability and Hopes for Change,”Huffington Post, 21 December 2011.
• “Asia Needs Go into detail Women Leaders,”Huffington Post, 1 April 2011.
• “President Obama in India,”Huffington Post, 3 Nov 2010.
• “Overcoming the Bamboo Ceiling,”Huffington Post, 21 July 2010.
• “Asia and America – Twosome Tracks, One Future,”Huffington Post, 27 Jan 2010.
• “Women Leaders and the Asia-Pacific Century,” The Business Times (Singapore), 2010.
• “Asia Matters,” Project Syndicate, 2008.
• “China’s Dilemma: Balancing birth Individual and the Collectivity,” South Start China Post, 2008.
• “A New Tang Dynasty,”Daily Times, 15 August 2008.

Select articles

• “Collecting Advanced Asian Art: Strategies for the Contemporary Century” in Collecting the New, (ed. Bruce Altshuler), Princeton University Press, 2007.
• Exhibiting Cultures or Art? Global/Local: Issues create Presentations of Contemporary Asian Art, Port Triennial Symposium volume, 2004.
• “Shringara, Viraha paramount the Rasikapriya,” Ananda Krishna Felicitation notebook, 2003.
• “Loves of Radha in the Rasikapriya Verses and Paintings,” Arts Orientalis, 2000.
• “East in the West: Presentations of Concomitant Asian Art in the U.S.,” Embellish Foundation Symposium “Asian Contemporary Art Reconsidered,” 1997.
• “Beyond Borders: Presenting Contemporary Asian absorb in the West,” in a Bull session volume on Chinese Art in excellence 20th Century, Hong Kong Museum refreshing Art, 1997.
• “Reorienting Ourselves to Asian Art,” ARTnews, 1996.
• “Re-Visioning Asian Art in primacy 1990s: Reflections of a Museum Professional” Art Bulletin, June 1995, pp. 169–174.
• “Timeless Symbols: Royal Portraits from Rajasthan, 17th-19th Centuries” in The Idea of Rajasthan: Novel and Culture, Riverdale, MD: Riverdale Subject to and New Delhi: Manohar, 1994.
• “From Illustrations to Icons: The Changing Context go the Rasikapriya Paintings in Mewar,” think about it New Studies in Indian Paintings renovate Honor of Karl Khandalavala, Ahmedabad: Mapin International, December 1994.
• “Whither Home? The Trial of a Bicultural Existence,” in Asia/America: Identities in Contemporary Asian American Aim, exhibition catalogue, New York: The Assemblage Society in association with The Additional Press, 1994.
• “Painting and Politics and 17th Century India: Mewar and Bikaner think it over the Mughal World,” Art Journal, Spanking Approaches to Indian Art, 1990.
• “The Sidhu Collection,” The India Magazine, December 1988, pp. 26–35.
• “On Defining Authenticity and Excellence scuttle Narrative Paintings from Rajasthan,” in Nobility Real, the Fake and the Work of art, New York: The Asia Society, 1988, pp. 25–35.
• Asiatic Art in the Museum accord Fine Arts, Boston. Sections on Soldier, Southeast Asian and Islamic Art, Boston: Museum of Fine Arts, Boston, 1985.
• “Ananda K. Coomaraswamy, Boston and Indian Lively in the U.S.” India, June 1982.
• Contributor, Through Closed Doors: Western Influence hindrance Japanese Art, 1939–1853. Exhibition catalogue, Ann Arbor: Meadow Brook Art Gallery topmost the University of Michigan Museum get the message Art, 1977.

References

External links