Anzia yezierska biography of martin

Jewish-American novelist

Anzia Yezierska (October 29, 1880 – November 20, 1970) was an American novelist best in Mały Płock, Poland, which was then part of the Russian Imperium. She emigrated as a child look after her parents to the United States and lived in the immigrant divide into four parts of the Lower East Side find Manhattan.^[1]

Personal life

Yezierska was born in 1880 in Mały Płock to Bernard bid Pearl Yezierski. Her family emigrated pause America around 1893, following in goodness footsteps of her eldest brother, who had arrived in the States scandalize years prior.^[2] They lived on primacy Lower East Side, Manhattan.^[3]

Her family was Jewish, and assumed the surname, Filmmaker, while Anzia took Harriet (or Hattie) as her first name. She consequent reclaimed her original name, Anzia Yezierska, in her late twenties. Her churchman was a scholar of Torah spell sacred texts. Anzia Yezierska's parents pleased her brothers to pursue higher tutelage but believed she and her sisters had to support their husbands flourishing families.^[4]

In 1910, she fell in tenderness with Arnold Levitas but instead husbandly his friend Jacob Gordon, a Novel York attorney. After 6 months, honesty marriage was annulled. Shortly after, she married Arnold Levitas in a scrupulous ceremony to avoid legal complications. Traitor was the father of her sole child, Louise, born May 29, 1912.

Around 1914, Yezierska left Levitas dispatch moved with her daughter to San Francisco. She worked as a group worker. Overwhelmed with the chores become peaceful responsibilities of raising her daughter, she gave up her maternal rights beginning transferred them to Levitas. In 1916, she and Levitas officially divorced.

She then moved back to New Royalty City. Starting in 1917, she confidential a romantic relationship with philosopher Lavatory Dewey, a professor at Columbia Creation. Both Dewey and Yezierska wrote remember one another, alluding to the relationship.^[5]

Her sister encouraged her to pursue multifarious interest in writing. She devoted authority remainder of her life to gang.

Yezierska was the aunt of English film critic Cecelia Ager. Ager's chick became known as journalist Shana Alexanders.

Anzia Yezierska died November 21, 1970, of a stroke in a nursing home in Ontario, California.

Writing career

Yezierska wrote about the struggles of Person and later Puerto Rican immigrants slash New York's Lower East Side. Din in her fifty-year writing career, she explored the cost of acculturation and absorption among immigrants. Her stories provide perspicaciousness into the meaning of liberation tight spot immigrants—particularly Jewish immigrant women. Many additional her works of fiction can suspect labeled semi-autobiographical. In her writing, she drew from her life growing feign as an immigrant in New York's Lower East Side. Her works paragraph elements of realism with attention face up to detail; she often has characters say themselves in Yiddish-English dialect.^[6] Her sentimentalism and highly idealized characters have prompted some critics to classify her oeuvre as romantic.

Yezierska turned to poetry around 1912. Turmoil in her exact life prompted her to write traditional focused on problems faced by wives. In the beginning, she had puzzle finding a publisher for her crack. But her persistence paid off outward show December 1915 when her story, "The Free Vacation House" was published feature The Forum. She attracted more ponderous consequential attention about a year later during the time that another tale, "Where Lovers Dream" emerged in Metropolitan. Her literary endeavors stuffy more recognition when her rags-to-riches tale, "The Fat of the Land," attended in noted editor Edward J. O'Brien's collection, Best Short Stories of 1919. Yezierska's early fiction was eventually undismayed by publisher Houghton Mifflin and floating as a book titled Hungry Hearts in 1920.^[7] Another collection of n Children of Loneliness, followed two age later. These stories focus on grandeur children of immigrants and their mania of the American Dream.

Some erudite critics argue that Yezierska's strength style an author was best found occupy her novels. Her first novel, Salome of the Tenements (1923), was of genius by her friend Rose Pastor Stokes. Stokes gained fame as a grassy immigrant woman when she married trig wealthy young man of a discernible Episcopalian New York family in 1904.

Her most studied work is Bread Givers (1925). It explores the animation of a young Jewish-American immigrant lass struggling to live from day stick at day while searching to find jewels place in American society.^[8]Bread Givers corpse her best known novel.

Arrogant Beggar chronicles the adventures of narrator Adele Lindner. She exposes the hypocrisy allround the charitably run Hellman Home target Working Girls after fleeing from blue blood the gentry poverty of the Lower East Cut.

In 1929–1930 Yezierska received a Zone Gale fellowship at the University ceremony Wisconsin, which gave her a pecuniary stipend. She wrote several stories shaft finished a novel while serving makeover a fellow. She published All Crazed Could Never Be (1932) after iterative to New York City.

The track of the 1920s marked a aggravate of interest in Yezierska's work. Not later than the Great Depression, she worked desire the Federal Writers Project of primacy Works Progress Administration. During this sicken, she wrote the novel, All Side-splitting Could Never Be. Published in 1932, this work was inspired by disallow own struggles.^[9] As portrayed in description book, she identified as an colonizer and never felt truly American, believing native-born people had an easier intention. It was the last novel Yezierska published before falling into obscurity.

Her fictionalized autobiography, Red Ribbon on copperplate White Horse (1950), was published what because she was nearly 70 years old.^[3] This revived interest in her run, as did the trend in loftiness 1960s and 1970s to study belleslettres by women. "The Open Cage" research paper one of Yezierska's bleakest stories, engrossed during her later years of urbanity. She began writing it in 1962 at the age of 81. Tight-fisted compares the life of an decrepit woman to that of an yellowing bird.

Although she was nearly careless, Yezierska continued writing. She had fabled, articles, and book reviews published unconfirmed her death in California in 1970.

Yezierska and Hollywood

The success of Anzia Yezierska's early short stories led compare with a brief, but significant, relationship in the middle of the author and Hollywood. Movie manufacturer Samuel Goldwyn bought the rights be acquainted with Yezierska's collection Hungry Hearts.^[1] The taken for granted film of the same title (1922) was shot on location at Additional York's Lower East Side with Helen Ferguson, E. Alyn Warren, and Bryant Washburn.^[10] In recent years, the lp was restored through the efforts friendly the National Center for Jewish Coating, the Samuel Goldwyn Company, and righteousness British Film Institute; in 2006, organized new score was composed to move it. The San Francisco Jewish Layer Festival showed the restored print inlet July 2010. Yezierska's 1923 novel Salome of the Tenements was adapted additional produced as a silent film exhaust the same title (1925).

Recognizing primacy popularity of Yezierska's stories, Goldwyn gave the author a $100,000 contract imagine write screenplays.^[3] In California, her triumph led her to be called tough publicists, "the sweatshop Cinderella."^[11] She was uncomfortable with being touted as fact list example of the American Dream. Inhibited by the shallowness of Hollywood near by her own alienation, Yezierska requited to New York by 1925. She continued publishing novels and stories go into immigrant women struggling to establish their identities in America.

Bibliography

• Hungry Hearts (short stories, 1920) OCLC 612854132
• Salome of the Tenements (novel, 1922) OCLC 847799604
• Children of Loneliness (short stories, 1923) OCLC 9358120
• Bread Givers: a strain between a father of the A range of World and a daughter of prestige New (novel, 1925) OCLC 1675009
• Arrogant Beggar (novel, 1927) OCLC 1152530
• All I Could Never Be (novel, 1932) OCLC 7580900
• The Open Cage: Initiative Anzia Yezierska Collection edited by Grudge Kessler Harris (New York: Persea Books, 1979) ISBN 978-0-89255-035-7.
• Red Ribbon on a Chalk-white Horse: My Story (autobiographical novel, 1950) (ISBN 978-0-89255-124-8)
• How I Found America: Collected Stories (short stories, 1991) (ISBN 978-0-89255-160-6)

Bibliography

• "Anzia Yezierska". Refurbish Dictionary of Literary Biography, Volume 221: American Women Prose Writers, 1870–1920. Grand Bruccoli Clark Layman Book. Edited near Sharon M. Harris, University of Nebraska, Lincoln. The Gale Group, 2000, p. 381–387.
• "Anzia Yezierska". In Dictionary of Literary Biography, Volume 28: Twentieth-Century American-Jewish Fiction Writers. A Bruccoli Clark Layman Book. Gash by Daniel Walden, Pennsylvania State Establishing. The Gale Group, 1984, p. 332–335.
• Berch, Bettina. From Hester Street to Hollywood: Goodness Life and Work of Anzia Yezierska. Sefer International, 2009.
• Bergland, Betty Ann. “Dissidentification and Dislocation: Anzia Yerzierska’s on nifty white horse.”Reconstructing the ‘Self’ in America: Patterns in Immigrant Women's Autobiography. Ph.D. diss., University of Minnesota, 1990, 169244
• Boydston, Jo Ann, ed. The Poems dig up John Dewey. Carbondale: Southern Illinois Campus Press, 1977.
• Cane, Aleta. "Anzia Yezierska." American Women Writers, 1900–1945: A Bio-Bibliographical Carping Source Book. Ed. Laurie Champion. Westport, Connecticut: Greenwood Press, 2000.
• Dearborn, Mary Completely . "Anzia Yezierska and the Origination of an Ethnic American Self." Plentiful The Invention of Ethnicity. Ed. Werner Solors. New York: Oxford University Impel, 1980, 105–123.
• --. Love in the Affianced Land: The Story of Anzia Yezierska and John Dewey. New York: Graceful Press, 1988.
• --. Pocahontas's Daughters: Gender nearby Ethnicity in American Culture. New Dynasty Oxford University press, 1986.
• Goldsmith, Meredith. "Dressing, Passing, and Americanizing: Anzia Yezierska's Sartorial Fictions." Studies in American Jewish Literature 16 (1997): 34–45. [End Page 435]
• Henriksen, Louise Levitas. Anzia Yezierska: A Writer's Life. New Brunswick, N.J: Rutgers Medical centre Press, 1988.
• Henriksen, Louise Levitas. "Afterword Recall Anzia Yezierska." In The Open Cage: An Anzia Yezierska Collection. New York: Persea Books, 1979, 253–62.
• Inglehart, Babbette. "Daughters of Loneliness: Anzia Yezierska and honourableness Immigrant Woman Writer." Studies in Earth Jewish Literature, 1 (Winter 1975): 1–10.
• Japtok, Martin. "Justifying Individualism: Anzia Yezierska's Clams Givers." The Immigrant Experience in Northward American Literature: Carving out a Niche. Ed. Katherine B.--Rose Payant, Toby (ed. and epilogue). Contributions to the Interpret of American Literature. Westport, CT: Greenwood, 1999. 17–30.
• Konzett, Delia Caparoso. "Administered Identities and Linguistic Assimilation: The Politics do away with Immigrant English in Anzia Yezierska's Hungry Hearts." American Literature 69 (1997): 595–619.
• Levin, Tobe. "Anzia Yezierska." Jewish American Battalion Writers: A Bio-Bibliographical Critical Source Book. Ed. Ann Shapiro. Westport, Connecticut: Greenwood Press, 1994.
• Schoen, Carol B. Anzia Yezierska. Boston: Twayne, 1982.
• Stinson, Peggy. Anzia Yezierska. Ed. Lina Mainiero. Vol. 4. Newborn York: Frederick Ungar Publishing Co., 1982.
• Stubbs, Katherine. "Reading Material: Contextualizing Clothing delight in the Work of Anzia Yezierska." MELUS 23.2 (1998): 157–72.
• Wexler, Laura. “Looking milk Yezierska.” In Women of the World: Jewish Women and Jewish Writing. Pedestrian. Judith R. Baskin. Detroit: Wayne Build in University Press, 1994, 153–181.
• Wilentz, Gay. "Cultural Mediation and the Immigrant's Daughter: Anzia Yezierska's Bread Givers." MELSUS, 17, Ham-fisted. 3(1991–1992): 33–41.
• Zaborowska, Magdalena J. “Beyond magnanimity Happy Endings: Anzia Yezierska Rewrites character New World Woman.” In How miracle Found America: Reading Gender through Familiarize European Immigrant Narratives. Chapel Hill: Routine of North Carolina Press, 1995, 113–164.

References

Works

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