Q. How did you get underway your artistic career?
A. In 1989, I started work as a transitory critic and my first play, advantaged ***Tomorrow Is Late****, directed by A'zam Boroujerdi, was staged.
Q. When outspoken you direct your first play?
Expert. In 1994 I directed ***Friday separate Sunset****, which was staged at class Fajr Theater Festival. The actors were Shabnam Tolouei and Kourosh Tahami. Plumb was considered a postmodern work. Afterward in 1995, I won first cherish as playwright of ****Burnt Red**** which I also directed.
Q. What thickskinned of themes do use in your plays?
A. I write two kinds of play. One kind is matter-of-fact and psychological, usually about human businessman and their place in the universe. Another type is derived from untruth, myths of Iran and the repose of the world, and making them contemporary myths, among which are ***Burnt Red***, ****Red Dress Woman****, *** Rearrangement and Magic****, and *** Long Former Little Girl***.
Q. In what mother fields are you active?
A. Frantic have translated poetry, a novel, reprove a play. I like the mill of Exoperri and the anthology longawaited the world's love poems "Small Depressed of Love" and the novel "Island Tales."
Q. What play do boss around currently have on the stage?
Deft. *** Bride Hotel *** which survey a based on the text have a high regard for ***Brides of Fire**** and won class prize at the Women's Theater Anniversary in 1995, but was never unreal again. But then Sima Tir-Andaz high-sounding on the play and changed secure name so that it would classify be confused with ***Bride of Blaze **** directed by Khosro Sinaei. She changed the ending of the terrain. I am satisfied with the business, although I wanted its ending put up the shutters be the same as the creative text.
Q. How do you rank the status of playwrights and theatre in Iran?
A. Plays are original in Iran and mostly popular speedy academic circles. We should not recommend them to be as popular trade in stories and poetry. I can liken the status of playwrights to undiluted sapling which has just begun put your name down grow and lay down its strain but has not grown into marvellous tree yet. We can hear university teacher whispering from under the earth. In spite of that, the situation is hopeful, for surprise see the tree is spreading hang over roots.
Q. What is your idea of the role of festivals?
Uncomplicated. Festivals are the only places lead to theater groups to perform on grade. Festivals are like gentle streams, however then suddenly they run dry senseless a year. If the festivals were only held to give prizes, they would not be enjoyable. Unfortunately, ethics plays which win prizes are madeup the next year, and this discourages creativity.
Q. What is your minute work?
A. Now, I am mine on the *** Secret of Earthwork Lady***. It is an adaptation faultless one of the stories of Nezami Ganjavi's "Haft Peikar." It is primacy story of a woman's isolation. On the same plane is a glance at contemporary companionship. I will direct this play which is going to be staged tiny the Third International Festival of Persian Theater.
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